The mecca, California opens at The Lodge March 17

The mecca, California

Saturday, March 17th – Saturday, April 7th, 2018

Opening Saturday, March 17th, 6-9pm

Eastern Star Gallery in partnership with The Lodge

The Eastern Star Gallery of the Archer School for Girls and The Lodge are pleased to present The mecca, California, an installation exploring the relationship between enlightenment, spirituality, and humanism in Southern California.

For years, dreamers have traveled west to Southern California in search of its magic. California promises direction, empowerment, and great spiritual illumination: those who journey here embrace the beauty of the now and the opportunity to find, or lose themselves. California’s free spirited aura creates the sense that anything is possible and that limitless hope drives us to pursue new horizons. The sun is at the forefront of life in California, shining brilliantly and reawakening the collective Californian spirit. Waves of change have propelled California’s history forward through vast and visionary ideas. Although Los Angeles is always moving through the environments of beach, freeway and desert, it was a sleepy town in the 1960s and 70s. California comes alive through the four elements of earth, air, fire, and water, and artists have been moved in varying modes and degrees by all four over time.

This show includes the work of 15 California artists including Chad Attie, Alexandra Grant, Shane Guffogg, Tim Hawkinson, Bettina Hubby, Soo Kim, Alice Könitz, Friedrich Kunath, Johnston Marklee, Fawn Rogers, Ed Ruscha, Allison Schulnik, Samantha Thomas, Richard Louderback, and Eric Yahnker.

Representation and exhibition at Fredric Snitzer

Fredric Snitzer Gallery
40th Anniversary Exhibition: 
Still Crazy 1977-2017
February 16 – March 31, 2018
Opening February 16, 7-10pm
1540 NE Miami Court, Miami, FL 33132

Alexandra Grant studio is happy to announce representation by Fredric Snitzer Gallery. Please join us to celebrate Fredric’s 40th anniversary on February 16. Grant will be introducing new works on paper from her Antigone 3000 series. For more information and images, please contact:


Performance of The Words of Others at the Pérez Art Museum Miami February 15

Performance of The Words of Others at the Pérez Art Museum Miami
Thursday, February 15, 2018
1:00pm – 9:00pm

Join X Artists’ Books for the second full live reading in English of artist Leon Ferrari’s seminal 1967 publication Palabras ajenas (The Words of Others)—an important Vietnam-era antiwar piece written in the form of a dramatic script. The Words of Others was Ferrari’s first literary collage, composed as an extensive dialogue among various characters, including President Lyndon B. Johnson, Adolf Hitler, Pope Paul VI, and God. The resulting chorus will be read over the course of eight hours by local community figures, artists (including X Artists’ Books co-founder Alexandra Grant), and actors and will take place in conjunction with the opening of the exhibition The Words of Others: León Ferrari and Rhetoric in Times of War.

Open to the public. Free with museum admission. Seating begins at 12:45pm.

To order The Words of Others, click here.

Image: León Ferrari’s collection of clippings and newspapers with quotations used in Palabras ajenas (1967). Pablo Ferrari Archive, São Paulo. Photo: Pablo Ferrari.

Shadows opens at Galerie Gradiva in Paris November 2


Galerie Gradiva, Paris

November 3rd – 29th

Opening November 2nd, 6-9pm

As part of the Photo Saint Germain Festival, Galerie Gradiva is pleased to announce Shadows, a collaboration by Alexandra Grant and Keanu Reeves.

“Alexandra Grant’s drawings first came into dialogue with Keanu Reeves’s poetry in Ode To Happiness, published by Steidl in 2011. Five years later, the artists renewed their collaboration with Shadows (Steidl, 2016), in which photographs and poetic writing meld in a single work of art.

Shadows is a photosensitive encounter between an artist-photographer and an actor-poet. In a ritual dance, he offers up to her gaze his feelings, failures, wounds, and raw power. His shadow is born from light. Rather than obscuring the light he moves incessantly around her and her camera’s lens. His shadow shapes and reshapes itself, taking the form and telling the story of an ancient deity, an errant ghost, a beast and an eternal source of light, warmth and protection.

In Shadows she allows us to see his body’s double, his soul, which cannot be captured otherwise. Shadows are truths from beyond our present moment, from time immemorial, the time of myth. They are a subtle presence which invite us, as viewers, to understand that the hereafter is here and now; they provide us a possible telepathic link across the depths of what we fear encountering most, our desire.

His shadow never ceases moving or lets itself be caged or trapped in one pose or another. His hands are those of a earth-bound magician, one who transforms clay into tiny figures that become men when he breathes life into them. There is neither darkness nor guile in the shadow; it emanates white or colored light, auguring only possibility. From the perspective of her lens, his shadow doesn’t haunt or glide by like a ghost; it flickers like a fire full of life, a crackling force. As an image, it doubles upon itself, superimposes one iteration upon another as an optical illusion, a game, the trace of an apparition.

His shadow reveals itself to be fragile, wavering across the liminal bounds of our present, ready to disappear at any moment. To capture this vulnerability the artist stays open and aware, but at a safe distance, ready to tame, assuage, and reassure the shadow with her camera and her self that he won’t become prey, that she will preserve his liberty to come and go at any moment.

Seeing Shadows is like hearing a long poem recited in the dancing of two bodies, one tangible, the other ethereal. The lyrics are delivered like a prayer from the depths, a prophetic song filled with light that reveals what we, as humans, do not know yet.”

— Valérie Fougeirol, Curator of the exhibition.

Image: Shadow (11), after Keanu Reeves’s “I can’t say all I want to say,” 2016. Acrylic pigment printed on Arches velour paper rough, 60” x 40”. Edition of 2 with 1 AP. Printed in Germany by Gerhard Steidl.


The Artists’ Prison Book Signing at the NY Art Book Fair September 23

Signing: The Artists’ Prison

Saturday, September 23


NY Art Book Fair, MoMA PS1

X Artists’ Books, Booth N24

Launch and signing of The Artists’ Prison by Alexandra Grant and Eve Wood.

The Artists’ Prison looks askance at the workings of personality and privilege, sexuality, authority, and artifice in the art world. Imagined through the heavily redacted testimony of its warden, the prison is a brutal landscape where sentences range from the allegorical to the downright absurd. In The Artists’ Prison, the act of creating becomes a strangely erotic condemnation, as well as a means of punishment and transformation. It is in these very transformations—sometimes dubious, sometimes oddly sentimental—that the book’s critical edge is sharpest. Juxtaposing word and image, The Artists’ Prison represents a unique visual and literary intersection, in which Eve’s drawings open spaces of potential meaning in Alexandra’s text, and the text, in turn, acts as a framework in which the images can resonate and intensify in significance.

Alexandra Grant is a Los Angeles–based artist who uses language, literature, and exchanges with writers as the basis for her work in painting, drawing, sculpture, and photography. Eve Wood is a visual artist, poet, and critic whose drawings and paintings have been exhibited nationally and internationally in galleries such as Susanne Vielmetter, Western Project, and Ochi Projects.

X Artists’ Books publishes courageous, beautiful books for curious readers. X is a connector, a multiplier, a kiss, a proxy. X is a signature, a mark for uncharted territory, the core of infinity. To join their mailing list and to order a copy of The Artists’ Prison please visit

The Words of Others (Palabras Ajenas) Performance at REDCAT September 16

Performance: The Words of Others

Saturday, September 16, 2017

1:00pm to  8:00pm

REDCAT Theater (map)

This durational performance of The Words of Others (Palabras Ajenas), set in the REDCAT Theater, will be the first staging of the full work by Léon Ferrari.

The Words of Others (Palabras Ajenas) is a Vietnam-era antiwar piece written in the form of a dramatic script. The Argentine artist Léon Ferrari created this “literary collage,” one of his essential political statements, by cutting and assembling text from various sources, including news agencies, history books, the Bible, and speeches by such political and religious figures as Lyndon Johnson, Robert McNamara, Pope Paul VI and Adolph Hitler.

The September 16th durational performance in the theater at REDCAT will be the first full staging of the work. Partial readings took place at the Arts Lab in London (1968) and in Buenos Aires at the Larrañaga Theater (1972). A cast of thirty readers will give a contemporary voice to the text and constitute a tribute to him as an artist and defender of culture, democracy, and civil rights. Ferrari’s literary collages share the experimental impulse of figures such as Julio Cortázar and Bertolt Brecht in literature and theater, as well as the political unrest of the counterculture movement of the 1960s.

This durational performance is free and open to the public (people can come and go as they please).

Readers: Edgar Arceneaux, Camila Ascencio, Rafael López Barrantes, Samantha Bartow, Nao Bustamante, José Luis Blondet, Ashlyn Delaire, Carlo Figlio, Jessica Fleischmann, Andrea Fraser, Charles Gaines, Alexandra Grant, Jen Hofer, Ashley Hunt, Rett Keeter, Daniel Lavery, Mireya Lucio, Michael Ned Holte, Roberto Martin, Fernando Mitre, Paige McGhee, Alyxaundrea Munson, Silke Otto-Knapp, Mac Rasmus, Christopher Rivas, Juan Rivera, Connie Samaras, Hannah Trujillo and Kristin Wetenkamp.

More about the exhibition and performance at REDCAT here.

To order a copy of X Artists’ Books’ The Words of Others (Palabras Ajenas), please visit their website.

ghost town opens at Casa Santo Domingo in Antigua, Guatemala July 15

ghost town

Galería Marco Augusto Quiroa en Casa Santo Domingo

Antigua, Guatemala

July 15 – August 17, 2017

Opening: Saturday, July 15, 6-9pm

Casa Santo Domingo is pleased to announce the acquisition of ghost town, Alexandra Grant’s large-scale participatory drawing made for the 20 Bienal de Arte Paiz in 2016 in Guatemala City, Guatemala. For ghost town, Grant invited over 600 members of the public to join her in illustrating a series of poems by the Guatemalan writer Vania Vargas titled  “Cartografía de un pueblo fantasma” (“Cartography of a Ghost Town”), which map out dreams, real and fictive, across the urban landscape of Guatemala City.

Now in the permanent collection of Casa Santo Domingo, ghost town is a historic record of several generations of Guatemalan artists and non-artists that worked side-by-side with Grant as an extension of her studio practice. This exhibition of the work, a year after its creation, celebrates the spirit of hospitality, collaboration and exchange in which it was made.

ghost town, 2016
Mixed media on paper/Media mixta sobre papel
72” x 115’  (1.80  x 35 mts)
Created with the participation of the public — whose names are all listed at the exhibition — during the 20 Bienal de Arte Paiz.
Creado con la participacion del publico — lista de nombres adjuntos — durante la 20 Bienal de Arte Paiz.
It illustrates the text of  “Cartografía de un pueblo fantasma” (“Cartography of a Ghost Town”) of the poet Vania Vargas.
Ilustrando las letras “Cartografía de un pueblo fantasma” de la poeta Vania Vargas.

“Taking Lena Home” as part of LAND’s “Frame Rate” June 29

Los Angeles Nomadic Division (LAND)

“Frame Rate” – Alexandra Grant presents “Taking Lena Home”

Thursday, June 29, 7pm

Blue Roof Studios
7329 S. Broadway
Los Angeles, CA 90003

Los Angeles Nomadic Division is pleased to present the West Coast Premiere of “Taking Lena Home,” Alexandra Grant’s 2016 documentary about the return of a stolen tombstone to rural Nebraska.

RSVP to:…/1FAIpQLSfaWwPyQPYjRv9K01…/viewform

Conference: “Cixous: Corollaires d’une signature / Corollaries of a Signature”

“Cixous: Corollaires d’une signature / Corollaries of a Signature”

Paris, Maison Heinrich Heine, Cité internationale universitaire
June 14, 15 and 16

The conference “Cixous: Corollaires d’une signature / Corollaries of a Signature” about the work of French philosopher Hélène Cixous will take place at the University of Paris June 14, 15 and 16. Artist Alexandra Grant will speak Friday, June 16 about the “Forêt Intérieure/Interior Forest” and a “Cixousian Methodology for Participatory Art Projects”

#helenecixous #corollairesdunesignature #corollariesofasignature

LOVE neon to support Angel Art and Project Angel Food

Alexandra Grant and the grantLOVE project are pleased to support Angel Art and Project Angel Food. Grant created a unique color way of her LOVE neon in pink and black for Angel Art, which benefits the work of Project Angel Food, a non-profit in Los Angeles that provides food and assistance to those who are too critically ill to take care of themselves.

Online bidding for the LOVE neon is live on Paddle 8 until June 9th and there will be a live auction during the Angel Art event.

Angel Art 
Saturday, June 10
7pm Cocktails & Viewing
8pm Live Auction

NeueHouse Hollywood
6121 Sunset Boulevard
Los Angeles, CA 90028

Tickets available here.

Image: LOVE, 2017. Neon, edition of 3. 33″ x 48″ x 2″.