“Taking Lena Home” as part of LAND’s “Frame Rate” June 29

Los Angeles Nomadic Division (LAND)

“Frame Rate” – Alexandra Grant presents “Taking Lena Home”

www.nomadicdivision.org/exhibition/frame-rate-3-artists-3-evenings/

Thursday, June 29, 7pm

Blue Roof Studios
7329 S. Broadway
Los Angeles, CA 90003

Los Angeles Nomadic Division is pleased to present the West Coast Premiere of “Taking Lena Home,” Alexandra Grant’s 2016 documentary about the return of a stolen tombstone to rural Nebraska.

RSVP to: https://docs.google.com/…/1FAIpQLSfaWwPyQPYjRv9K01…/viewform

Conference: “Cixous: Corollaires d’une signature / Corollaries of a Signature”

“Cixous: Corollaires d’une signature / Corollaries of a Signature”

Paris, Maison Heinrich Heine, Cité internationale universitaire
June 14, 15 and 16

www.fabula.org/actualites/cixous-corollaires-d-une-signature-corollaries-of-a-signature-colloque-international_79668.php

The conference “Cixous: Corollaires d’une signature / Corollaries of a Signature” about the work of French philosopher Hélène Cixous will take place at the University of Paris June 14, 15 and 16. Artist Alexandra Grant will speak Friday, June 16 about the “Forêt Intérieure/Interior Forest” and a “Cixousian Methodology for Participatory Art Projects”

#helenecixous #corollairesdunesignature #corollariesofasignature

LOVE neon to support Angel Art and Project Angel Food

Alexandra Grant and the grantLOVE project are pleased to support Angel Art and Project Angel Food. Grant created a unique color way of her LOVE neon in pink and black for Angel Art, which benefits the work of Project Angel Food, a non-profit in Los Angeles that provides food and assistance to those who are too critically ill to take care of themselves.

Online bidding for the LOVE neon is live on Paddle 8 until June 9th and there will be a live auction during the Angel Art event.

Angel Art 
Saturday, June 10
7pm Cocktails & Viewing
8pm Live Auction

NeueHouse Hollywood
6121 Sunset Boulevard
Los Angeles, CA 90028

Tickets available here.

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Image: LOVE, 2017. Neon, edition of 3. 33″ x 48″ x 2″.

Flaming June VII (Flaming Creatures) opens at Gavlak Gallery June 8

Flaming June VII (Flaming Creatures)
Gavlak Gallery Los Angeles

www.gavlakgallery.com/exhibitions/flaming-june-vii-flaming-creatures
June 8 – August 5, 2017
Opening June 8, 6-8pm

Gavlak Los Angeles is pleased to present a group exhibition entitled Flaming June VII (Flaming Creatures). This is the seventh iteration of “Flaming June,” a series of exhibitions curated by Sarah Gavlak that began in 1997. The title of the show is attributed to English Pre-Raphaelite artist Sir Frederic Leighton’s famous classist painting Flaming June (1895) which portrays a sleeping woman in a vibrant orange gown. 

Artists featured include Lisa Anne Auerbach, Judie Bamber, Amy Bessone, Andrew Brischler, Zoe Buckman, Willie Cole, Mike Davis, Lecia Dole-Recio, Judith Eisler, Alexandra Grant, Keith Haring, David Haxton, Nir Hod, Timothy Horn, Elisabeth Kley, Kelly Lamb, Bovey Lee, Michael Manning, Maynard Monrow, David Mramor, Yuval Pudik, Dean Sameshima, Tabboo!, Betty Tompkins, Marnie Weber, T.J. Wilcox, and Rob Wynne.

Image: “She said to Creon” (1), from the Antigone 3000 series, 2016. Rubbing, collage, acrylic paint, colored pencil, acrylic and sumi ink on paper, 82″ x 72″.

The Artists’ Prison

The Artists’ Prison is an artist book created by Alexandra Grant and Eve Wood, both artists based in Los Angeles. Known for her collaborations with writers, Grant is a painter who transforms language into large-scale textual landscapes in painting and drawing. Wood is a visual artist, poet and art critic who equally works between visual and textual formats. The Artists’ Prison is Grant’s first collaborative exchange as a writer, where she invited Wood to illustrate her words.

The Artists’ Prison is a brutal Kafka-esque landscape where prisoners are both condemned for their creativity as much as punished with inventive penalties. These penalties are not always in keeping with the crimes committed and it is this ambiguity that drives the narrative forward. In The Artists’ Prison, the act of creating becomes a strangely erotic condemnation and a means to punish and transform those sentenced there. It is this very transformation — sometimes dubious, sometimes oddly sentimental — that becomes suspect.

The Artists’ Prison represents a unique visual and literary intersection wherein Wood’s 44 images do not so much as illustrate Grant’s text, but serve as visual “flourishes” that allow the text to expand out from its original meaning. Similarly, the text does not ground the imagery, but is a point of departure where the visuals continue to spin out and intensify its significance.

The Artists’ Prison was published by X Artists’ Books in 2017.

An exhibition of The Artists’ Prison drawings by Wood opens at Ochi Projects on June 3rd, from 6-9pm. A book signing by Grant and Wood will take place at the gallery, June 10th, from 4-6pm.

Image: Eve Wood, “Prisoner #42: The Broken Plate Artist,” 2015. Mixed media on paper, 7 1/8 x 7″.

“Antigone is you is me” at the Archer School for Girls

Antigone is you is me

Eastern Star Gallery at the Archer School for Girls

January 18 – February 18, 2017

Opening February 2

www.archer.org/page/news-detail?pk=864588

The Eastern Star Gallery is pleased to present Antigone is you is me, a participatory project with artist Alexandra Grant. Antigone is you is me is a text written by Grant and her sister Florence Grant that captures the ancient Greek myth Antigone in a contemporary scene. The part-poetry, part-dialogue, part-literary text imagines Antigone and her sister Ismene as two teenagers in Los Angeles. The exhibition is a community-based project that involves the entire Archer community to participate in illustrating this text. Students, teachers, and faculty will read the text as well as contemplate the Post-it notes containing keywords from the text in order to begin their drawing. A participant’s drawing experience, while limitless, is challenged to work with other artists around them and learn how to have each work flows into the other. Finally, every person who participates in the making of Antigone is you is me will be named alphabetically in the final presentation of the piece on Thursday, February 2. This is a place of hospitality, creativity, and experimentation.

The driving quote for this project is from the original story of Antigone: “I was born to love not to hate.” The final piece, with over 400 participants, captures a particular moment in time from the perspective of teenage girls, from the historic Women’s Marches across the globe to the inauguration of President Donald Trump.The Eastern Star Gallery is a unique art exhibition space located on the campus of The Archer School for Girls, an independent middle and high school in the Brentwood neighborhood of Los Angeles. On Thursday, February 2, Archer will host a public gallery opening and reception for the artist.

Images by Brian Forrest.Press:

Antigone is you is me: Q&A with artist Alexandra Grant

http://archeroracle.org/29410/arts-entertainment/antigone-is-you-is-me-qa-with-artist-alexandra-grant/

Forêt Intérieure/Interior Forest Catalog

interiorforestfrontandbackcover2small

Published in 2016 by 18th Street Arts Center and designed by Jessica Fleischmann, the catalog documents the Forêt Intérieure/Interior Forest, a multi-faceted participatory project organized by Los Angeles-based artist Alexandra Grant in collaboration with the French writer and philosopher Hélène Cixous.

A book launch will be held at 18th Street Arts Center on Sunday, December 4th, 2016, from 2-5pm. Please RSVP here.

interiorforest_ontelepathy_green2

Forêt Intérieure/Interior Forest were two exhibitions that took place in 2013 at 18th Street Arts Center in Santa Monica, CA and Mains d’Œuvres in Saint-Ouen, France. Structured as a residency and an exhibition at each venue, Forêt Intérieure/Interior Forest extended Grant’s studio practice into the arena of public engagement. The exhibitions included public drawing sessions to translate Cixous’s novel “Phillipines” into a large-scale work in each gallery via reading groups, artist collaborations, lectures and performances. The twin exhibitions were co-curated by Pilar Tompkins Rivas, Isabelle Le Normand, and Ann Stouvenel. The Forêt Intérieure/Interior Forest catalog includes essays by Alexandra Grant, Robert Nashak, Pilar Tompkins Rivas, a public conversation by Alexandra Grant and Hélène Cixous, and a letter from Hélène Cixous.

The Forêt Intérieure/Interior Forest catalog is available at Arcana books: www.arcanabooks.com

Michael Barnard’s “Interior Forest by Alexandra Grant” is a 13 minute film that documents the creation of this unusual communal artwork over the period of several months at the 18th Street Arts Center Main Gallery in 2013. The film includes an in-depth interview with Alexandra Grant, the creator and lead artist of the project. It also includes interviews with several of the participating artists, including Steve Roden, Renee Petropoulos, Channing Hansen, and Annelie McKenzie/Tina Linville.

L.A. Exuberance at LACMA through April 2, 2017

la-exuberance-at-lacma

Los Angeles County Museum of Art (LACMA)

BCAM, Level 3

October 30, 2016 – April 2, 2017

www.lacma.org/art/exhibition/la-exuberance-new-gifts-artists

Since LACMA’s establishment, living artists have played an instrumental role in understanding the museum’s encyclopedic collection through a contemporary lens. L.A. Exuberance: New Gifts by Artists features a selection of works given to the museum for its 50th anniversary, as part of an unprecedented campaign led by artist Catherine Opie. Featuring over sixty gifts, the exhibition includes additions to the collection by Edgar Arceneaux, John Baldessari, Uta Barth, Larry Bell, Tacita Dean, Sam Durant, Shannon Ebner, Charles Gaines, Ken Gonzales-Day, Alexandra Grant, Glenn Kaino, Friedrich Kunath, Sterling Ruby, Analia Saban, James Welling, Mario Ybarra Jr., and Brenna Youngblood. This exhibition marks the culmination of LACMA’s 50th anniversary year, one that began with historic gifts to the museum represented in 50 for 50: Gifts on the Occasion of LACMA’s Anniversary.

1502-194 -¬ Don MiliciI was born to love not to hate (5), 2014, mixed media on paper backed with fabric, 116” x 72”. Permanent collection, Los Angeles County Museum of Art (LACMA).

Taking Lena Home at Film Streams, Omaha on August 16

Lena banner Film Streams

TAKING LENA HOME
Screening and discussion
August 16, 2016, at 7pm
Film Streams, Omaha, NE
www.filmstreams.org/film/taking-lena-home/

On Tuesday, August 16, 2016, at 7 pm, Film Streams, Omaha Public Library, and the Greater Omaha Genealogical Society will present a special screening of the documentary TAKING LENA HOME at the Ruth Sokolof Theater, 1340 Mike Fahey Street, followed by a post-show discussion featuring the film’s director, Alexandra Grant.

In 2000, Los Angeles-based artist Alexandra Grant came across a curious object in a Wyoming junk shop: the tombstone of Lena Davis, a baby girl who died in 1880. Inexplicably drawn to the stone, she took it home, where it sat in her studio. Years later, she began a quest to discover the origins of the headstone, a mission that led her all the way to Polk, Nebraska, and an adventure in first-time filmmaking. TAKING LENA HOME documents the marker’s return to its rightful place, as well as Grant’s journey from owner of the stone to its caretaker.

After the movie, Film Streams Deputy Director Casey Logan will moderate a panel discussion with Grant; Cindy Drake, Nebraska History Library Curator and Statewide Cemetery Registry Coordinator, Nebraska State Historical Society; and Julie Middendorf, a genealogy enthusiast who solved the mystery of Lena’s provenance.

For more information: www.facebook.com/TakingLenaHome/

TAKING LENA HOME trailer:

Tickets for this special screening at Film Streams’ Ruth Sokolof Theater are $9 general; $7 for students, seniors, teachers, military, and those arriving by bicycle; and $4.50 for Film Streams Members. Advance tickets can be purchased at http://bit.ly/29VrQst or through the Film Streams Box Office, in person or at 402-933-0259 x15.  For more information, questions or requests, please contact Patrick Kinney at (402) 933-0259 x 11 or patrick@filmstreams.org.

The screening and discussion are part of Film Streams’ Community Development Program, which facilitates partnerships with other nonprofits and community groups on film-related events that speak to their missions and programming.

Film Streams is a 501(c)3 nonprofit organization dedicated to enhancing the cultural environment of the Omaha-Council Bluffs area through the presentation and discussion of film as an art form. For more information, visit www.filmstreams.org.

Omaha Public Library strengthens Omaha communities by connecting people with ideas, information, and innovative services. For more information, visit http://omahalibrary.org/.

The Greater Omaha Genealogical Society is a non-profit organization whose purpose is (1) to unite those persons interested in the pursuit and study of genealogy and family history; (2) to encourage the preservation of public and private records; and (3) to promote programs of education which support the growth and development of these fields. For more information, visit https://gogsmembers.wordpress.com.

Shadows opens at Ochi Gallery July 2

AGrant_Shadow_2_2016

SHADOWS

Ochi Gallery

119 Lewis Street
Ketchum, ID 83340

July 2 – August 6, 2016

Opening reception: July 7, 4-7pm

http://www.ochigallery.com/alexandra-grant-shadows/

Ochi Gallery is pleased to present Shadows, an exhibition in our project space of photographic works by Alexandra Grant. The work will be on view July 7th through August 6th with an opening reception Thursday, July 7th from 4-7 pm.

For this series Grant collaborated with actor and writer Keanu Reeves, The Lapis Press and Steidl Publishing to produce a striking collection of images that explore the concept of the shadow. Through a series of dramatic photographs, Grant captures Reeves’ silhouette in a sequence of movements where his figure often blurs beyond the point of recognition, causing the final images to border on abstraction. After the shoots with Reeves, Grant manipulated the images to invert the images black for white, making the shadow itself the source of light. Despite their mysterious and elegant qualities, the images are narrative and figurative, supported by Reeves’s poetic texts in the titles and accompanying book. Hauntingly beautiful, the images are also playful, allowing the viewer to sense the intimacy and exchange in the collaborative relationship between subject and artist.

Printed at a large scale on velour paper at Steidl Publishing in Germany, the photos possess a remarkable surface. Also published by Steidl is a book of Grant’s photos accompanied by texts written by Reeves. Additionally, The Lapis Press produced a suite of smaller scale, limited edition color prints.

Press:

“Only a Shadow,” Big Life Magazine http://www.biglifemag.com/only-a-shadow/

Image: Shadow (2), after Keanu Reeves’s “I can’t say all I wish to say,” 2016. Acrylic pigment printed on Arches velour paper rough, 60” x 40”. Edition of 2 with 1 AP. Printed in Germany by Gerhard Steidl.